One of the most enjoyable pop albums of all time, an iconic work that will forever be used as an example for songwriting expertise.
Raw, deeply personal, and tremendously honest, this was rock & roll as Lennon had envisaged it. Sometimes it's gorgeous, others twitchy and uncomfortable.
Instinctive, messy, and rambling, with shimmers of the divine. Electric Ladyland speaks in a kind of rock and roll tongues, with Jimi Hendrix front and centre.
Riding the crest of an unprecedented popular rise, veins caked thick with drugs, Oasis produced something profoundly overblown in their third album.
A staple of the psychedelic folk-rock genre, feeling as fresh and vibrant now as it did in 1967. It sounds like a wonderful montage of the ’60s.
Riffs in giant proportions, subtleties hidden between the pedal switches, and Turner’s Sheffield charm in spades. Possibly Arctic Monkey's finest album.
Doolittle balances boisterous oddness with sweet and sugary pop tunes, making it not only Pixies' most intriguing record, but also the most accessible.
Rock and roll delivered with swagger is such a buzz, and that’s the game on Definitely Maybe. It's relentless, unstoppable, and totally mad fer it.
Visions of a Life is a triumph of contemporary British rock. The riffs roar and the melodies soar, with the band playing beautifully to Ellie Rowsell’s strengths.
Freedom’s Goblin is a victim of its own ambition, and of Segall’s protean talent. A lot of ground is covered, but the album’s identity never quite clicks into place.