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Rüya 14.08.02017 Channeling the sounds of Bob Dylan, Simon & Garfunkel, and more, Elliott Smith’s words still cut deep. His lyrics unravel the darker elements of our existence, and are as precious now as they’ve ever been. Chances are, if you listen to Elliott Smith when you are already feeling down, you will… Read more »
Fred 11.08.02017 This is part of a series of articles in which we reflect on video game soundtracks. The pieces examine the musical content of the score and analyse the effects it has on the game. Fallout 3 recently turned eight years and nine months old, so it would be remiss not to talk about it. It’s… Read more »
This is part of a series in which two or more members of the Audioxide team listen to an album, together, for the first time. Any instances of interest or insight are purely coincidental. [“Green Light”] André Well the album title is fitting. Oh, wait. Is this turning into a house track? Fred Good grief. The roof… Read more »
FRED 14.06.02017 Answering a demand we barely notice is there, the growth of audiobooks seems unstoppable. They are filling the silences that litter our days, redeeming commutes, menial work, and empty evenings. Last week, the Audio Publishers Association (APA) released the 2016 sales figures for audiobooks, and things are looking rosy. There has been… Read more »
FRED 09.06.02017 Whiplash hit—and shot—plenty of nerves when it was released in 2014. It lit up the year’s film awards season and will in all likelihood endure as a classic piece of cinema; but why? What about the film strikes so deep, is so morbidly absorbing? Whiplash is ostensibly about jazz, but its core speaks… Read more »
05.06.02017 This may surprise you, but here at Audioxide, we quite like Radiohead. For each of us, the band played a significant role in our own music development–a circumstance that is not so much coincidental as it is common among a certain demographic. Indeed, Radiohead are not just a masterful rock band, but also the ultimate… Read more »
FRED 12.05.02017 When is a virtual band over? That’s been the question on my mind since listening to Humanz, an album that confirmed fears which had been lurking since Plastic Beach. Gorillaz don’t seem to be a thing anymore. Albums have their name on them, the gang get wheeled out for interviews, but I don’t hear them in the music…. Read more »
ANDRÉ 15.04.02017 You know what you’re getting with a new Little Dragon album: mid-tempo R&B with a heavy ‘80s influence and a dash of modern dance. If nothing else, the Swedish group know how to strike a groove, and they have found success in the formula for ten years now. Though they’re perhaps… Read more »
ANDREW 03.04.02017 Since their debut at the turn of the millennium, Goldfrapp haven’t been afraid to toy with the components that characterise their music. Be it the cinematic, eerie quirk of the debut with tracks like “Lovely Head” and “Oompah Radar”, the thumping, rasping electronica of the two releases that followed it, well demonstrated… Read more »
01.01.02017 Thank goodness that’s over. Article-heavy focus last month, looking back on the year and sharing our thoughts on its delights, as well as its disappointments. Although we weren’t exactly been enamoured with most of last year’s releases, there was still plenty to like. It seems fitting that our one review in December, of Childish… Read more »