This is the first Radiohead track to drop in years, and it serves far more than its original (intended) purpose as a Bond song.
The Eraser is a wonderful listen that comes with some baggage. If you’re able to handle its intensity, it’s actually a very beautiful record.
“Burn the Witch” is a fine song; a satisfying introduction to a new Radiohead era that will naturally leave fans wanting more.
A daunting experience that revels in its sorrow. Radiohead have produced better records, but never before has their desolation sounded so gorgeous.
To brand this a landmark of the '90s is a disservice to its quality. OK Computer is as relevant now as ever, both culturally and sonically.
Be it anxious art-rock, spasmodic electronica, or jazz-tinged soundscapes, Thom & Co. have you covered. Here are Radiohead's albums ranked worst-to-best.
The delicate craft of Wiesenfeld’s earlier work is mostly gone, and the instrumentals are instead excitable, fidgety, and erratic. It's quite the sensory overload.
Psyence Fiction attempts to be the sonic equivalent of the visual cinema experience — a lofty ambition, but UNKLE give it a bloody good go.
LP5 seems comfortable not pushing any boundaries. Tracks unravel steadily, with heavy attention shown towards atmosphere and production.
ANIMA has the Yorke's classic oddball jumpiness, but there are some really fluid sounds at play too. Does the album delight? No, but it does satisfy.