Audioxide

Squid take characteristics from krautrock, dub, funk, and jazz to form a sound that is remarkably coherent and wholly distinct. It’s chaotic, but it works.

After six long, resolutely joyless years we passed another album review milestone. To celebrate here’s a look at some sweet, sweet data.

Crunchy guitars and relentless percussion abound in Shame's new record 'Drunk Tank Pink'. Yes we're two weeks into the year, but a highlight all the same.

Part dramatic dream, part sun-soaked soliloquy, part love letter to mid-century pop rock, Midnight Sister have sewn together a wistful, woozy record.

Our journey had its ups and downs but we feel confident of where we ended up. Which is just as well, because we’re never putting ourselves through this again.

Provided you're in the right mood, The Moon & Antarctica is one of the standout indie rock releases of the 2000s.

A satisfying-yet-unspectacular entry in the Bat for Lashes discography. Heartily recommended to those who share Khan’s affection for the ’80s.

The record isn’t a masterclass, but there are still enough dashes of genius and genuine fun to make it one of the strongest releases of the year.

Dylan Seeger is a musician and designer living in New York, as is tradition. We talk Claye, the pressures of recording solo, and (sound) circumcision.

Murphy's not merely indulging his influences or recreating the past here. He delves into the past to forge a new, heady, indelible blend of electronica and rock.

Under the Midas wing of Brian Eno, Talking Heads juggle African genres with Western experimentation and innovative digital play.