Audioxide

After six long, resolutely joyless years we passed another album review milestone. To celebrate here’s a look at some sweet, sweet data.

The record listens like an all-night jam at an impossibly cool bohemian gettogether. It’s funky, relaxed, audacious, exhausting... but above all, it’s brilliant.

Emotionally vulnerable and creatively restless. The record plays out like a prolonged stream of consciousness, yet every aspect seems carefully constructed.

It’s like Blanck Mass put Marilyn Manson, Nine Inch Nails, Mario, and the blood of a sacrificial lamb into a kind of sonic blender.

Nothing feels heavy-handed or crass. OPN purposefully avoids the tired tropes of electronic music, which always results in at least a degree of fascination.

Let's face it, Halloween playlists can be awful. Here lies an alternative lineup of frightening songs. More treats than tricks, we promise.

This new record sees a heavy focus on collaborative production, exploring many sounds while seldom digging deeper into any one of them.

What a year it's been. Hip hop kings, hip hop princes, UK rock upstarts, and lots more. Here are our fav albums of 2015.

From Kendrick Lamar to Joanna Newsom, 2015 had its fair share of beautiful tracks. Here are our picks of the year.

Twisting and turning and purposely blindsiding its listeners, Garden of Delete doesn’t stop evolving, often feeling like a stream of consciousness in musical form.