Audioxide

Where others might layer up to obscene degrees, Stott has a knack for finding beauty in minuscule details. It’s practically ambient music for club-goers.

After six long, resolutely joyless years we passed another album review milestone. To celebrate here’s a look at some sweet, sweet data.

Emotionally vulnerable and creatively restless. The record plays out like a prolonged stream of consciousness, yet every aspect seems carefully constructed.

For all its instances of greatness and undeniable beauty, MAGDALENE gets tangled in its own pop epic aspirations.

While much of the Two Sun's tracklist doesn't feel as though it explores its ideas far enough, its highlights go a long way to make up for it.

For every moment of serenity there's a feeling of incompleteness, and the result is an album that's sadly unmemorable.

Reviews make a lot more sense when they can be put into context. After passing 150 albums reviewed we thought it was high time to look at the statistics.

That Bush could create something so deliriously weird and wild yet also break through to the mainstream world is great proof of her powers.

Björk creates her own identity by combining contrasting into something entirely unique. This broke the mould of what it means to be a new, exciting artist.

Nothing feels heavy-handed or crass. OPN purposefully avoids the tired tropes of electronic music, which always results in at least a degree of fascination.

The record is scattered with gorgeous moments that ultimately feel like a tease. Utopia occasionally grips its claws in, only to let go seconds later.

Homogenic is a stunning work. Björk often defies categorisation, but her third studio album has a coherence that’s often missing from her other records.