The songs are beautiful in ways only Ray Davies can achieve, but the album's scattered feel keeps it from being more than the sum of its parts.
One of the most enjoyable pop albums of all time, an iconic work that will forever be used as an example for songwriting expertise.
Instinctive, messy, and rambling, with shimmers of the divine. Electric Ladyland speaks in a kind of rock and roll tongues, with Jimi Hendrix front and centre.
A staple of the psychedelic folk-rock genre, feeling as fresh and vibrant now as it did in 1967. It sounds like a wonderful montage of the ’60s.
Dylan sings and we listen, the instrumentation hanging on his every word along with the rest of us. The album is an expressive, beautiful, and timeless classic.
Tapping into the bohemian sensibilities of the era, Led Zeppelin feel like a sonic equivalent of the Beats in their indifference to the status quo.
The sonic scenery is colourful and smoky, and the band sound like they’re having the time of their lives. It's loose, but it's endearing too.
Blues, psychedelia, jazz, and gospel are all deeply ingrained in the music. This is a rock record, but every track has a flavour of its own.
The last word of a band with nothing left to prove, and it sounds like it. Exceptional without being seminal, but with some truly classic songs.
The harmonies are wonderful, the instrumentation is charming, and, well, everything sounds rather bloody marvellous. Lots to love and little to dislike.